In Continent of Misbelief at David Kordansky Gallery in New York, Jared Buckhiester stages American masculinity as a ritual ...

Paige Greco is writer, curator, and artist based in Los Angeles. In Continent of Misbelief at David Kordansky Gallery in New York, Jared Buckhiester stages American masculinity as a ritual of collapse ...

I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...

Walter Scott faces a dilemma that has confronted many multi-disciplinary artists, especially those who work in both contemporary art and more mass-cultural fields: being recognized and celebrated ...

An eight-foot wooden ramp was propped up at a forty-five-degree angle in one corner. Knotted ropes hung from six holes drilled near the ramp’s top. The din of the ongoing installation echoed from ...

Tilt your ear to a Jack Whitten painting and you might hear music. “You gotta be able to think like John Coltrane to do what I am doing in painting,” the artist said in the final decade of his life.

On August 29, 2023, the Globe and Mail published an article headlined “Toronto’s cash-strapped Artscape to enter receivership, end management of 14 artist facilities.” Because I’d recently spent two ...

Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...

The coverage and criticism of Documenta 15 was an experience in itself, whether or not you made it to Kassel this year. This edition of the contemporary art exhibition was the first to focus entirely ...

Pizandawatc / The One Who Listens / Celui qui écoute, a recent exhibition at the Art Museum at the University of Toronto (AMUT), draws its title from the traditional name of artist Caroline Monnet’s ...

In a recent essay for Artforum, Jon Rafman described his early work as “romantic.” Specifically, he cited his virtual safaris of Kool-Aid Man in Second Life (2008-2011) and the Google Street View ...

With arms crossed, a Métis curator contemplates Kent Monkman’s The Scream (2017) at the Winnipeg Art Gallery. The history painting dramatizes Canada’s seizure of First Nations, Inuit, and Métis ...